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leonard slatkin
DECEMBER 2020
Read moreFor your listening pleasure this holiday season, I am happy to share Inspired Themes from the Inspired Films, an album arranged and conducted by my father, Felix Slatkin, in 1962. The recording features twelve tracks from the great biblical epics. On one of them, my parents are the violin and cello soloists, marking the only time they ever performed a duet for a commercial release.
Happy Holidays!
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leonard slatkin
NOVEMBER 2020: Recovery Edition, Part 27
Read moreAll of a sudden, there is a break in the gloom. For the first time in quite a while, people are actually starting to believe there will be a future. Perhaps for that reason, many are still acting irresponsibly. More on that in a minute.
With the possibility of three vaccines being available as early as next month, it is not out of the question to look at what lies ahead in terms of—well, almost everything. Schools can start to plan for the winter semester, and if not that, the spring. Businesses will look carefully at their books and determine how best to get back to work. Musicians will be thinking about what it will be like to perform with their colleagues again.
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leonard slatkin
Slatkin Receives 35th GRAMMY Nomination
Read moreNovember 24, 2020
Leonard Slatkin is nominated for a 2021 GRAMMY Award in the category of Best Choral Performance for the world-premiere recording of Alexander Kastalsky’s Requiem for Fallen Brothers, available on the Naxos label. The piece is a tribute to the fallen heroes of World War I, combining Orthodox and Gregorian chant with hymns from the allied nations.
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leonard slatkin
NOVEMBER 2020: Recovery Edition, Part 26
Read moreAmidst all the furor during this election season, it has been easy to forget that the tiny world of classical music has its own battles to fight. For a few days, COVID-19 has not been top of mind, even as cases in the United States have reached all-time highs that increase on a daily basis. Few have been paying attention to the stock market, even though the delay in getting election results should be an indicator that nothing is normal. We have sputtered to find ways to entertain and amuse ourselves as we look for diversions to alleviate our ennui.
Two items on the musical front have caught my attention over the past couple of weeks, one somewhat frivolous and the other potentially serious.
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leonard slatkin
NOVEMBER 2020: Recovery Edition, Election Day Special
Read moreWith lines stretching for blocks, waiting times of more than eight hours, and many ballots cast early, either in person or by mail, voter turnout is of historic proportions despite all the chaos and turmoil of 2020.
With that in mind, we sometimes forget that we are voting not only for president, but also for members of Congress, state officials, and various local initiatives. It can get very confusing, but that was the case right from the start. In December of 1788–January 1789, the United States held its first election, and it did take almost two weeks to get the results and determine who had won.
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leonard slatkin
OCTOBER 2020: Recovery Edition, A Side Trip
Read moreWhatever happened to the calm before the storm?
As I write this, we are about a week away from the election, or as I prefer to call it, “Waiting for the Seventh Trumpet.” Any diversion of attention is welcome during this time, and some charming events took place this past weekend. Not that any of them were accomplished in a traditional way, but they certainly put the political contest out of mind for a brief while.
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leonard slatkin
Slatkin Awarded Prix Charbonnier
Read moreOctober 22, 2020
On Saturday, October 24, the Federation of Alliances Françaises will present Slatkin with its most prestigious award, the Prix Charbonnier. The ceremony is among the capstone events of the Federation’s 2020 Annual Convention, this year held online for constituents of the more than 100 Alliance Française chapters in the U.S., Canada, and the English-speaking Caribbean.
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leonard slatkin
OCTOBER 2020: Recovery Edition, Part 25
Read moreDuring the more than half a year of pandemic shutdowns, I have spent a lot of time dwelling on what others should or should not be doing. Whether addressing matters concerning performers, administrators, or audiences, my observations and suggestions have come from the standpoint of an outsider looking in. Other than a decision not to make the nine-hour drive to Detroit to lead rehearsals and a concert, I have mostly been shielded from heeding my own advice.
Ever since it became clear that musical life was being turned inside out, I realized that a major verdict might need to be rendered as October arrived. When COVID-19 first reared its ugly head, I, like so many others, did not believe that it would affect me. Exercising every precaution, I believed that together, we could beat the virus into submission. It did not take very long to realize that this was not going to be the case.
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leonard slatkin
OCTOBER 2020: Recovery Edition, Part 24
Read moreIn recent weeks, there has been a lot of news about orchestras settling contracts, some for up to five years. This is a very encouraging sign, as security for the musicians has been hard to calculate during this shutdown. One must hope that contingency plans are in place should the virus continue well into the new year.
The reason I am bringing this up has to do with the role of music directors as we move forward. Many of them cannot enter the States right now or are put into quarantine upon arrival. In several cases their services as conductors have not been required, as their orchestras are not working, even in reduced numbers. Perhaps some are assisting in repertoire choices for chamber music concerts.
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leonard slatkin
OCTOBER 2020: Recovery Edition, Part 23
Read moreOne of the fingernail-biting experiences in life is watching the scoreboard as the last day of the regular baseball season approaches. Will your team get to the playoffs by winning or as a result of losses by the others?
In the meantime, there is another, more dramatic game going on. Those of us who are supposed to be travelling keep a close eye on restrictions that each country is imposing on people as they enter foreign lands. I have a seven-week tour coming up near the end of the month involving five separate countries, and the situation in each of those places has an impact on the feasibility of the other dates.